Tuesday, June 30, 2009

UK Box Office Top Ten - weekend commencing 26/06/09

UK box-office top ten and analysis for the weekend of Friday 26th - Sunday 28th June 2009.

Five new releases managed to crack the U.K. box office top ten this past weekend but there was no change at the top as Michael Bay's Transformers: Revenge of the Fallen stands firm in first place. The film has come in for heavy criticism but this doesn't seem to have damaged too much business with the Autobots and Decepticons clocking in a hugely impressive second weekend of £4.3m, although this was down almost 50% the previous week. Transformers has already passed £16.5m and on this kind of form it looks set to overtake Star Trek as the biggest hit of the summer so far.

Also holding on to last week's position is comedy The Hangover, which comes in second ahead of new releases Year One and My Sister's Keeper. The two new entries push Night at the Museum: Battle of the Smithsonian and Terminator Salvation down two places apiece, while the Ben Stiller comedy sequel becomes the highest grossing release in the current top ten with just over £19m.

Live-action anime adaptation Blood: The Last Vampire opens in seventh place, while Angels & Demons demonstrates legs in eighth after seven weeks on release. Bollywood film New York - which tackles the subject of terrorism and 9/11 through the eyes of three Muslim students - debuts in ninth, while the final new release - comedy drama Sunshine Cleaning - props up the chart in tenth position.

















































































Pos.FilmWeekend GrossWeekTotal UK Gross
1Transformers: Revenge of the Fallen
£4,368,0242





£16,485,053
2The Hangover
£1,910,0253











£11,192,716
3Year One
£978,0081











£978,008
4My Sister's Keeper
£922,9471









£922,947
5Night at the Museum 2£492,9906











£19,002,278
6Terminator Salvation£424,2774











£13,597,757
7Blood: The Last Vampire


£232,1901















£232,190
8Angels & Demons£166,253 7













£18,302,597
9New York
£157,5241











£157,524
10Sunshine Cleaning
£125,7951

















£125,795


Incoming...

Animated family comedy Ice Age: Dawn of the Dinosaurs (also showing in 3D) opens this coming Wednesday, and could challenge Transformers at the top of next weekend's chart. Also released is Michael Mann's 1930's gangster film Public Enemies, starring Johnny Depp and Channing Tatum as mobsters John Dillinger and Pretty Boy Floyd, along with Christian Bale as FBI agent Melvin Purvis.

Monday, June 29, 2009

Connery blasts "British Bullshit Corporation" coverage of the Edinburgh International Film Festival

Legendary Scottish actor slams the BBC...

Screen legend Sir Sean Connery launched a scathing attack on the BBC for its lack of coverage of the 2009 Edinburgh International Film Festival. Speaking on the final day of the two week event, Connery - a patron of the festival - referred to the broadcaster as the "British Bullshit Corporation", and accused them of a general under-representation of Scottish events.

Connery told the audience in attendance for the final award ceremony that "we have more than 300 BBC technicians that have gone to [Glastonbury] and not a single one that has come here," and later elaborated on his comments to The Scotsman newspaper by suggesting that "the BBC forgets it is representing four different countries". Defending these accustations, the BBC later replied that "in Scotland later in the summer there will be comprehensive coverage of the Edinburgh International Festival and T in the Park".

Regardless of any bias towards English events, the fact that not one single crew was sent to cover the festival is poor form indeed. The EIFF is the longest continually running film festival in the world and I would have liked to see some kind of dedicated programming for my licence fee, However, the event did prove successful in its own right and managed to attract big names such as Connery, Sam Mendes and wife Kate Winslet, Claire Danes, Maggie Gyllenhaal, Guy Pearce, Alan Cumming, Emily Blunt, Robin Wright-Penn, William H. Macy, Paul Thomas Anderson, and Alfonso CuarĂ³n to the red carpet.

Meanwhile, the big winner at the festival was the British sci-fi thriller Moon, which picked up the Michael Powell Award for Best New British Feature Film. Directed by Duncan Jones (son of David Bowie), the film stars Sam Rockwell as a lunar employee stranded on the Moon with only a Kevin Spacey-voiced robot for company. Moon is released in U.K. cinemas on July 17th.

Saturday, June 27, 2009

Movies... For Free! Lady of Burlesque (1943)

Welcome to this week's "Movies... For Free!" column, where we showcase classic movies freely available in the public domain (with streaming video!). Read the article and watch the movie right here!


Lady of Burlesque, 1943.

Directed by William A. Wellman.
Starring Barbara Stanwyck and Michael O'Shea.

Lady of Burlesque - also known as The G-String Murders and Striptease Lady - is a 1943 murder mystery set in a New York burlesque house and is notable for pushing the boundaries of the Motion Picture Production Code, a stringent set of guidelines which governed all American productions until the late 1960's.

Based on the novel The G-String Murders by famed striptease artist Gypsy Rose Lee, the film adaptation stars silver screen legend Barbara Stanwyck as Dixie Daisy, a newcomer who has quickly adapted to the ruthless and bitter backstage politics of the burlesque scene. When Dixie falls out with a rival singer and later discovers her body - killed via g-string strangulation, naturally - she becomes the prime suspect in a murder investigation.

This was Stanwyck's second role as a showgirl in as many years (the other being in Howard Hawks' 1941 feature Balls of Fire), and she is joined by Michael O'Shea as her romantic interest, comedian Biff Brannigan. With elements of comedy in addition to song and dance routines, Lady of Burlesque remains an entertaining and suspenseful film, albeit somewhat dated by today's standards.



Embed courtesy of Internet Archive.

Click here to view all previous entries in our Movies... For Free! collection.

Friday, June 26, 2009

R.I.P. Michael Jackson (1959 - 2009)

Music legend dies of cardiac arrest in Los Angeles aged 50...

As reported world-wide, 'King of Pop' Michael Jackson died yesterday June 25th in Los Angeles after suffering cardiac arrest. Jackson - whose 1982 release Thriller is the biggest selling album of all time - had enjoyed a long and phenomenally succesful career both as a solo artist and member of The Jackson 5. His film work includes a memorable performance as the Scarecrow in Sidney Lumet's The Wiz (1978), in addition to countless soundtrack credits.

Jackson's death comes as he was preparing to launch a fifty date comeback residency at London's O2 Arena. The star had suffered from health problems since the early nineties and his changing appearance, bizarre behaviour and allegations of child-abuse had tarnished his reputation in recent years. However his musical legacy in indisputable, and his death has sent shockwaves through-out the world of entertainment.

Thursday, June 25, 2009

R.I.P. Farrah Fawcett (1947 - 2009)

Charlie's Angels star loses battle with cancer...

Golden Globe and Emmy Award nominated actress Farrah Fawcett has died after a three year battle with cancer, aged 62. The star became a pop culture icon and sex symbol through her role as Jill Munroe in the classic 70's television show Charlie's Angels, and her death comes just days after long time partner Ryan O'Neal announced that the couple had agreed to marry.

With Charlie's Angels providing her breakthrough, Fawcett went on to appear in a number of big-screen productions including Logan's Run (1976), The Cannonball Run (1981), Extremities (1986), and The Apostle (1997). She also earned critical acclaim for her work on TV movies The Burning Bed (1984), Poor Little Rich Girl: The Barbara Hutton Story (1987), and Small Sacrificies (1989), and her small-screen
credits include guest roles in series such as The Six Million Dollar Man (alongside ex-husband Lee Majors), Ally McBeal, Spin City, and The Guardian.

Wednesday, June 24, 2009

BBFC to relax guidelines on sexual content

British film censor re-evaluates guidelines in response to audience feedback...

The British Board of Film Classificiation has recently issued new guidelines after consultation with almost 9000 members of the public. Regarding explicit and graphic sexual images in films such as 9 Songs (directed by Michael Winterbottom), the BBFC found that most people felt such imagery was acceptable for 18 certificate movies, due to "the context in which they appeared".

Discussing the new guidelines, BBFC director David Cooke said "The BBFC is committed to consulting the public every four years to ensure that the guidelines we use to classify all works which are submitted to us not only take account of relevant U.K. legislation, but accurately reflect public attitudes and concerns".

However, despite noticing more relaxed public attitude towards sexual imagery, Cooke also noted that "a number of specific concerns... have been incorporated into the guidelines." This relates to the onscreen depiction of activities such as solvent abuse, with such actions now likely to lead to an automatic 18 certificate.

While there is no indication of the demographics consulted, it is nice to see the BBFC listening to public opinion. I'd still like to see some kind of 'unrated' classification, where cuts such as the 3m 15s trimmed from Takashi Miike's Ichi the Killer could be reinstated for adult audiences, but that seems highly unlikely for the time being.

The BBFC website also includes a searchable database of titles with information on classification decisions and cuts, which you can access here.

Nick Love's latest, The Firm - new images and teaser trailer

British writer-director Nick Love (The Football Factory, The Business, Outlaw) returns to the violent world of football hooliganism with his latest film The Firm, based upon Alan Clarke's classic 1988 TV movie of the same name. We've got some new images from the film, and you can also check out the official teaser trailer right here...


Set in the mid-eighties, this retelling is a coming-of-age tale centred on young football fan and wannabe casual Dom (Calum McNab), who joins a local firm led by the charasmatic but dangerous Bex (Paul Anderson, who takes over the original Gary Oldman role). With the violence spiralling out of control Dom decides the gang lifestyle isn't for him, but he soon discovers that getting out is far from easy.



The Firm is released in the U.K. on September 18th (check out the offical website here), and next up for Love is a big-screen adaptation of classic British police show The Sweeney, with Ray Winstone and Michael Fassbender rumoured to be attached.

Tuesday, June 23, 2009

UK Box Office Top Ten - weekend commencing 19/06/09

UK box-office top ten and analysis for the weekend of Friday 19th - Sunday 21st June 2009.

There was much for director Michael Bay to smile about as his second foray into the giant robot business - Transformers: Revenge of the Fallen - debuted in top spot (rather unsurprisingly, one must admit), and becomes the biggest opener of the year so far. Despite an extended run-time of two and a half hours the big budget action blockbuster eclipsed the opening haul of nearest competitor X-Men Origins: Wolverine with a highly impressive weekendgross of £8,349,739.

Last week's number one movie - Todd Phillips comedy The Hangover - slipped down into second while family comedy Night at the Museum: Battle of the Smithsonian holds firm in third place after five weeks on release. Less fortunate is Terminator Salvation, losing almost 60% of last week's audience and falling two places down to fourth, with Angels & Demons rounding out the top five once again.


Drag Me to Hell slips two places to sixth after four weeks but is yet to pass £6m in receipts, while Star Trek remains the highest grossing movie in the chart with just under £21m overall. Ken Loach drama Looking for Eric holds on to eighth, while horror remake The Last House on the Left falls to ninth. Last Chance Harvey props up the chart, as CGI animation Coraline drops out of contention after six weeks in the top ten.
















































































Pos.FilmWeekend GrossWeekTotal UK Gross
1Transformers: Revenge of the Fallen
£8,349,7391





£8,349,739
2The Hangover
£2,249,7472









£7,716,785
3Night at the Museum 2£817,1015









£18,290,183
4Terminator Salvation£803,8733







£12,767,545
5Angels & Demons£353,8726











£17,939,463
6Drag Me to Hell£275,4364











£5,945,776
7Star Trek
£239,9097













£20,901,905
8Looking for Eric
£215,1732











£845,052
9The Last House on the Left
£189,4122









£880,716
10Last Chance Harvey£159,5343















£1,769,174


Incoming...

Harold Ramis Stone Age comedy Year One (starring Jack Black and Michael Cera) opens this coming Friday, along with live-action anime adaptation Blood: The Last Vampire and moving drama My Sister's Keeper. Each of the new releases should make a dent in the top ten but expect Transformers to stand firm in first place for the second week running.

Monday, June 22, 2009

Inglourious Basterds - New trailer released!

Check out the second trailer for Inglourious Basterds right here...

This coming August director Quentin Tarantino releases his World War II 'Man on a Mission' epic Inglourious Basterds, and the second official theatrical trailer has just been released.

Unlike the first (which you can also see here), this trailer has a little less focus on the Basterds and provides glimpses of some of the supporting cast including Mike Myers as British General Ed Fenech, Melanie Laurent as Shosanna Dreyfus, and Diane Kruger as German film star Bridget von Hammersmark. A couple of prominent Nazi figures also pop up such as Hermann Göring, Joseph Goebbels, Martin Bormann, and of course Adolf Hitler.

Certainly looking forward to this one...


And on the subject of WW2, PacificFans.com have a promotional trailer for The Pacific, the new TV mini-series from executive producers Tom Hanks and Steven Spielberg. If it's half as good as Band of Brothers, then we are in for a treat. Be sure to visit the site and check out the trailer.

Sunday, June 21, 2009

New G.I. Joe: The Rise of Cobra trailer released...

Check out the latest theatrical trailer for G.I. Joe: The Rise of Cobra right here...

It's a busy time for Paramount Pictures this summer with big-screen adaptations of two of Hasbro's premier toy properities, Transformers and G.I. Joe. Michael Bay's Transformers: Revenge of the Fallen opened here in the U.K. on Friday, with a North American release this coming Wednesday, while G.I. Joe: The Rise of Cobra is set to hit screens on August 7th.

Directed by Stephen Sommers (The Mummy, Van Helsing), G.I. Joe features an ensemble cast that includes Channing Tatum, Sienna Miller, Marlon Wayans, Dennis Quaid, Christopher Eccleston, Joseph Gordon-Levitt, and Rachel Nichols. Set ten years into the future, an elite military unit code-named G.I. Joe is formed to combat the evil terrorist organisation Cobra, and "When All Else Fails, They Don't" (with the studio looking to establish a franchise, the money-men will certainly be hoping that they don't).

The second theatrical trailer has just been released, so check it out courtesy of YouTube...


You can also check out the first trailer right here.

With the news that Michael Bay has had his fill of giant robots, what price a Transformers / G.I. Joe cross-over in the near future?

Thursday, June 18, 2009

Cult Classics - The Transformers: The Movie (1986)

The Transformers: The Movie, 1986.

Directed by Nelson Shin.
Featuring the voice talents of Peter Cullen, Judd Nelson, Leonard Nimoy, Robert Stack, Frank Welker, and Orson Welles.


SYNOPSIS:

Beyond good. Beyond Evil. Beyond your wildest imagination… As the war between the Autobots and Decepticons rages on a new enemy emerges – Unicron, a giant, planet-devouring entity who threatens the very existence of the Transformer race.


It is easy to criticise The Transformers franchise – and in particular, the eighties animated television series – as little more than a clever marketing ploy. Despite being one of the most successful children’s series of its time, the cartoon (along with sister franchise G.I. Joe) has often been described as one long commercial, designed purely to clear the shelves of Hasbro’s latest toy range. However, despite all the criticism there is little doubt that almost a quarter of a century later, 1986’s big screen feature adaptation The Transformers: The Movie has proven to be a true cult classic, and a seminal film in its genre.

Set in 2005 – twenty years after the events of the first two seasons of the television show – the evil Decepticons have taken control of the Transformers’ home world Cybertron, leaving the Autobots to set up base on Autobot City: Earth. Unicron (voiced by legendary filmmaker Orson Welles, whose work was completed mere days before his death in 1985), an enormous planet-shaped robot, attacks and destroys a defenseless world before drifting away into the vastness of space. Meanwhile a strike team of Autobots including Ironhide, Prowl, Brawn, and Ratchet assemble near Cybertron’s moons in preparation for a counter-offensive. Unfortunately the Decepticons intercept a transmission to Autobot City and ambush the shuttle, leaving no survivors.

On Earth, Spike Witwicky’s young son Daniel is enjoying a fishing trip with Autobot Hot Rod when they notice a shuttle returning to Earth. Setting off in pursuit they realise the shuttle has been hijacked by Decepticons, who soon launch an all-out attack. The Autobots - led by Ultra Magnus alongside other new faces including Blurr and Arcee - transform Autobot City into a fortress as the Decepticons lay siege to the stronghold. An S.O.S. is sent Optimus Prime, and the Autobot leader arrives with the Dinobots just as the Decepticons look to gain the upper hand. A huge battle ensues as Prime cuts through a number of henchmen en route to a deadly showdown with arch-nemesis Megatron. Prime ultimately manages to defeat Megatron but is left mortally wounded from the confrontation. The Autobot leader soon perishes, passing over the Autobot Matrix of Leadership to Ultra Magnus, and promising that “one day an Autobot shall rise from our ranks and use the power of the Matrix to light our darkest hour”.

The Decepticons retreat aboard Astrotrain, but after arguing over a shortage of fuel the scheming Starscream convinces them to abandon their wounded, including defeated leader Megatron, and eject them into space. As Megatron and his fallen comrades drift away they soon encounter Unicron, who promises to provide new bodies in return for the destruction of the Autobot Matrix – the only threat to Unicron’s domination. Megatron reluctantly agrees and is transformed into the warrior Galvatron, who soon disintegrates Starscream and resumes command of the Decepticons. Back on Earth, the Autobots receive word that Unicron has consumed two of Cybertron’s moons, and when the Decepticons launch another attack the weakened and out-numbered heroes are forced to flee.

Galvatron pursues the Autobots and confronts Ultra Magnus, stealing the Matrix and intending to draw on its power to defeat and enslave Unicron. Arriving near Cybertron, Galvatron fails to open the Matrix and merely enrages Unicron, who transforms from his planet-shaped form into a giant robot and begins to attack the Transformer home world. Galvatron proves little match and is consumed by Unicron, while the Decepticons try in vain to defend their planet. The Autobots soon arrive on the scene and join in the battle. Hot Rod crashes his shuttle through Unicron’s eye and inside the young Autobot encounters Galvatron. A fight ensues with Hot Rod proving he has “The Touch” as he reaches out for the Matrix and unleashes its power, transforming him into Rodimus Prime and destroying Unicron from within. With the giant defeated, the remaining Decepticons are forced to retreat leaving the Autobots to reclaim Cybertron as their own.

The Transformers: The Movie was released to mixed reviews and was considered a flop at the box office, collecting only $5m during its opening weekend. Criticism was levelled towards its animation style (now highly regarded by Western audiences), dark tone and high body count, with the death of beloved characters such as Optimus Prime having a profound and disturbing effect on young children (indeed the furore surrounding Prime’s fate led to Hasbro altering the fate of Duke, leader of G.I. Joe, who was originally supposed to die in G.I. Joe: The Movie, released straight-to-video the following year). The film is also notable for its use of the word “shit”, although this was removed from many home release versions.

While the decision to kill of many of the better known characters lay with Hasbro - who wanted to make room for the next range of action figures - it remains a bold and daring move and something that would be inconceivable for studios today. Added to this are the excellent action sequences, perfect soundtrack, and a cast that includes the aforementioned Orson Welles in addition to Leonard Nimoy, Judd Nelson, Robert Stack, Eric Idle, Scatman Crothers (also in his final role), and voice-over legends Corey Burton, Peter Cullen, Casey Kasem, and Chris Latta.

For long-time fans the movie is sure to retain nostalgic value, while there is also much to appeal to (and distress) younger viewers and newcomers to the franchise via Michael Bay’s recent live-action blockbusters. A landmark entry in the field of children’s animation, The Transformers: The Movie is perhaps the greatest big-screen adaptation of a cartoon series, and among the best animated movies of its decade.

Gary Collinson

Tuesday, June 16, 2009

UK Box Office Top Ten - weekend commencing 12/06/09

UK box-office top ten for the weekend of Friday 12th - Sunday 14th June 2009.

Director Todd Phillips' latest comedy The Hangover repeated its North American success, opening in top spot in the U.K. chart with takings of £3,193,806, while Christian Bale sci-fi action sequel Terminator Salvation dropped over 70% from last weekend and slipped into second place.

The McG directed fourth installment in the Terminator franchise has already crossed the £10m mark in its second week but will struggle to hold on to its target audience against upcoming releases and could sink faster than Wolverine in the coming weeks.


Night at the Museum continues to impress in its fourth week, holding strong in third with weekend takings of £1m to push its cumulative total over £17m. Drag Me to Hell and Angels & Demons round out the top five, with the Dan Brown adaptation also passing £17m in ticket sales. Star Trek slips out of the top five but remains the highest grossing film in the top ten with £20.3m.

Two other new entries appear in seventh and eighth - horror remake Last House on the Left and Ken Loach drama Looking for Eric - while Dustin Hoffman - Emma Thompson romance Last Chance Harvey and animation Coraline each drop three places in their second and sixth weeks respectively.
However, we wave goodbye to X-Men Origins: Wolverine, which slips from the top ten along with Hannah Montana: The Movie and John Cena action flick 12 Rounds.
















































































Pos.FilmWeekend GrossWeekTotal UK Gross
1The Hangover
£3,193,8061





£3,193,806
2Terminator Salvation£1,951,0472









£10,942,512
3Night at the Museum 2£1,083,6684









£17,114,614
4Drag Me to Hell£534,8493







£5,325,950
5Angels & Demons£514,5075









£17,232,193
6Star Trek

£405,242
6











£20,315,922
7The Last House on the Left
£392,1631













£392,163
8Looking for Eric
£366,2421











£366,242
9Last Chance Harvey£263,9462









£1,383,415
10Coraline£161,6426













£6,986,975


Incoming...

U.K. moviegoers steal a march on the Americans when Transformers: Revenge of the Fallen rolls out this coming Friday June 19th. With Autobots and Decepticons blowing all kinds of shit up Michael Bay-style expect the movie to dominate at the box office next weekend.

Also released is indie comedy Gigantic (starring Paul Dano, Zooey Deschanel, and John Goodman) and British horror The Disappeared, along with a reissue of the Alfred Hitchcock masterpiece North by Northwest to celebrate its 50th anniversary.

Saturday, June 13, 2009

Short Film Showcase - The Spirit of '43 (1943)

In a slight departure for this week's Movies... For Free! entry, we present the classic animated Walt Disney WW2 Propaganda short, The Spirit of '43, starring Donald Duck...


The Spirit of '43
, 1943.

Directed by Jack King.
Produced by Walt Disney.

In a rare example of public domain content from the legendary animation house, The Spirit of '43 is a World War II propaganda film featuring the classic Walt Disney character Donald Duck. A sequel to an earlier Disney production, The New Spirit (1942), the short was financed by the American government (hence its copyright free status) and designed as a propaganda tool to urge the public to pay their taxes for the war effort, complete with the slogan "taxes to bury the Axis".

Donald stars as your average American joe torn between two opposing sides of his personality - a 'thrifty' duck (represented by a Scotsman, and surely the inspiration for Scrooge McDuck), who urges Donald to be careful with his money and pay his taxes, and a 'spendthrifty' suit-wearing evil duck who wants Donald to blow his wages in the saloon. The two engage in a tug of war over Donald and each fall backward; the evil duck creashing through Swastika-shaped saloon doors while the Scottish duck falls against a brick wall, revealing Old Glory itself and leading to a montage of patriotic wartime imagery.

The Spirit of '43 proved very successful in its objective of increasing tax contributions from the American public, and remains to this day an entertaining and historically important piece of animation.



Embed courtesy of Internet Archive.

Click here to view all previous entries in our Movies... For Free! collection.

Thursday, June 11, 2009

FlickeringMyth.com Update...

100th post spectacular...ly short update!

Well, FlickeringMyth.com has been up and running for almost four months now, and due to work commitments I've been a little behind with the updates lately. However, the light at the end of the tunnel is finally in view and new content will be making its way onto the site on a regular basis once again very soon!

We'll be looking to enhance the world cinema and classic movie sections in particular, along with a few tweaks and improvements to enhance the site. If there's anything in particular you'd like to see more (or less) of then please do let us know.

I'd also like to thank everyone for visiting the site, and of course our fabulous contributors Rory Barker, Santosh Sandhu, Elspeth Rushbrook, Richard J. Moir, and Sheila Seclearr.

Gary Collinson

Tuesday, June 9, 2009

UK Box Office Top Ten - weekend commencing 05/06/09

UK box-office top ten for the weekend of Friday 5th - Sunday 7th June 2009.

Despite mediocre reviews and a failure to hit the top spot across the pond, McG's sci-fi sequel Terminator Salvation dominated at the UK box office in its opening weekend, pulling in just shy of £7m to make it the biggest opener of the year so far.

This success means that
Night at the Museum: Battle of the Smithsonian falls one place into second, although the film's weekend gross actually increased from last week. Meanwhile, Drag Me to Hell, Angels & Demons (which also made more than last week) and Star Trek each drop one place but remain in the top five in their second, fourth and fifth weeks respectively.

Another new release, the Dustin Hoffman - Emma Thompson romantic drama Last Chance Harvey, opens in sixth, pushing Coraline and Hannah Montana: The Movie down one place from last week, while John Cena actioner 12 Rounds is hit the hardest
, dropping four spots to ninth.

X-Men Origins: Wolverine clings on to tenth spot after six weeks on release (two places below Hannah Montana, which opened the same week), and has disappointed at the box office after the much publicised internet leak, negative buzz and word-of-mouth. Despite an impressive opening the film's takings have fallen sharply, earning £3m less than Star Trek and with Angels & Demons and Night at the Museum 2 set to leave the superhero flick trailing.
















































































Pos.FilmWeekend GrossWeekTotal UK Gross
1Terminator Salvation
£6,936,5281





£6,936,528
2Night at the Museum 2£2,414,5883







£15,443,419
3Drag Me to Hell
£1,286,2632







£4,073,547
4Angels & Demons
£1,072,0134





£16,121,511
5Star Trek
£853,1925









£19,463,850
6Last Chance Harvey
£640,3901









£640,390
7Coraline£370,0545











£6,749,413
8Hannah Montana: The Movie£257,7856









£7,927,397
912 Rounds£146,6202









£612,954
10X-Men Origins: Wolverine£132,1976













£16,166,926


Incoming...

Todd Phillips' latest comedy The Hangover - which opened in top spot in the North American chart at the weekend - is released this coming Friday and will look to cut into Terminator Salvation's takings, while Night at the Museum: Battle of the Smithsonian should remain strong against little new competition.

Horror remake Last House on the Left will hope to leave audiences queasy, while a couple of British films also hit the screen - horror comedy Doghouse starring Danny Dyer, Stephen Graham, and Noel Clarke, along with Ken Loach's latest Looking for Eric, about a postman who seeks inspiration from football legend Eric Cantona.

Saturday, June 6, 2009

Movies... For Free! Dementia 13 (1963)

Welcome to this week's "Movies... For Free!" column, where we showcase classic movies freely available in the public domain (with streaming video!). Read the article and watch the movie right here!


Dementia 13, 1963.

Directed by Francis Ford Coppola.
Starring Luana Anders, Patrick Magee, Eithne Dunne and William Campbell.

A scheming widow Louise Haloran (Luana Anders) pretends that her husband John is still alive in order to manipulate her way into her rich mother-in-law's will. Visiting the family's castle in Ireland, Louise discovers that Lady Haloran (Eithne Dunne) is wrought with guilt following the death of her daughter Kathleen many years before, and sets about a ploy to convince the elderly lady that Kathleen is attempting to contact her from beyond the grave. However Louise gets more than she bargained for when she is brutally slain by an axe-murderer, and it is up to family doctor Justin Caleb (Patrick Magee) to unravel the mystery and find the killer.

Produced by b-movie maestro Roger Corman, Dementia 13 is a low-budget horror and marks the feature debut of acclaimed filmmaker Francis Ford Coppola. Initially working as a sound man on location in Ireland for Corman's 1963 release The Young Racers (also starring Anders, Magee and William Campbell), Coppola was offered the opportunity to remain in Ireland and use the leftover budget to produce his own violent and bloody thriller, with Corman keen for something along the lines of Hitchcock's Psycho (1960).

Coppola and Corman clashed over the final film with the producer wanting more gore and a longer running time. Corman employed another of his proteges, Monte Hellman, to direct a five minute prologue that had little to do with the narrative (not included in this version), and an additional death scene was filmed by exploitation director Jack Hill. The final movie was released to mixed reviews with the rushed production criticised heavily (the screenplay was written in just three days), although Coppola was also praised for his inventive direction, hinting at what he would later come to achieve.



Embed courtesy of Internet Archive.

Click here to view all previous entries in our Movies... For Free! collection.

Thursday, June 4, 2009

R.I.P. David Carradine (1936 - 2009)

Kung Fu and Kill Bill star found dead...

Golden Globe and Emmy Award nominated actor David Carradine has been found dead in a hotel room in Bangkok, where he was staying while filming his latest movie Stretch. Early police reports indicated that Carradine - best known for his work as Kwai Chang Caine in the U.S. TV series Kung Fu (1972 - 1975) and the title character in Quentin Tarantino's Kill Bill movies - committed suicide by hanging, although a statement later revealed the actor had died accidently while attempting auto-erotic asphyxiation. He was found by a maid in the early hours of Thursday morning, June 4th. He was 72.

The son of Hollywood actor John Carradine, Carradine enjoyed a long and successful career with over 100 screen credits to his name. He worked alongside legendary directors such as Martin Scorsese (Boxcar Bertha, Mean Streets) and Ingmar Bergman (The Serpent's Egg), and had enjoyed a career boost in recent years following his collaboration with Tarantino. His last appearance came alongside Jason Statham in the action sequel Crank: High Voltage.

Tuesday, June 2, 2009

Thoughts on... Synecdoche, New York (2008)

Synedoche, New York, 2008.

Written and Directed by Charlie Kaufman.
Starring Philip Seymour Hoffman, Catherine Keener, Michelle Williams, Samantha Morton, Emily Watson, Jennifer Jason Leigh, Dianne Wiest, Tom Noonan and Hope Davis.


SYNOPSIS:

A theater director struggles with his work, and the women in his life, as he attempts to create a life-size replica of New York inside a warehouse as part of his new play.


How to categorise or explain this film? A theatre director, a daughter, a few decades and a cast of thousands in a giant warehouse in his play on despair, death, loves lost and found, and blurring what's real as art represents life. I took it to mean that we can explore ourselves and communicate better through our art - though Kaufman seems open and encouraging of multiple and personalised interpretations.

I was very excited by Charlie Kaufman's directorial debut, being such a fan of his screenplay Eternal Sunshine of the Spotless Mind, directed by Michel Gondry. It is with regret that I have a poor report to bring of a writer much admired.

Perhaps Michel Gondry and Kaufman need each other. Gondry's next sole work, The Science of Sleep, was a disappointment. The quirky and the amazing and unconventional special effects of Eternal Sunshine were there in Sleep, but the story and ideas were missing. Without Michel, Charlie Kaufman brings a work that seems to spiral away with the writer's own ideas and scope.

Others have hailed Synecdoche epic, complex and multilayered. It began as a wry look at a disintegrating family, with (I thought) a satire on how illness and death are so much in the media - even for children. The film elicited several laughs from the audience in its earlier stages - including from myself, though I couldn’t see how it was multilayered yet. It felt Woody Allen-esque in its self deprecating, hypochondria ridden creative hero and fast but natural dialogue; but then it became confusing and dull. My pity went from the protagonist, Caden (Philip Seymour Hoffman). Sprawling rather than epic comes to mind as we got lost in who is playing who in this huge play that never gets seen by an audience. The nihilism and negativity are bleaker than anything I recall seeing (and I often choose difficult films) - and it is worse in that it seemed to feel that its statements of meaninglessness and hopelessness were brave and profound.

It reminds me of Richard Kelly's follow up to Donnie Darko, Southland Tales, in that his next film after something complex and thought provoking ultimately becomes… not too ambitious (I never deduct marks for that) but trying perhaps too hard to top an earlier success with something that feels its cleverness is lost in its creator's mind. At first, I felt that I was missing something but was not sufficiently engaged to rewatch to find out what it was. But by the end - which I hastened - I felt it was the film who was missing something. It is our choice whether we see life as hopeless and meaningless; and stark nullity is not courageous and true, it’s sad.

Elspeth Rushbrook
www.myspace.com/elspethr

UK Box Office Top Ten - weekend commencing 29/05/09

UK box-office top ten for the weekend of Friday 29th - Sunday 31st May 2009.

There was quite a shake-up at the U.K. box office this past weekend as four new releases opened in the top ten. Sam Raimi's return to 'true-horror' Drag Me to Hell was the biggest of the new films, collecting over £1.9m in receipts to clinch second place behind last week's No. 1, Night at the Museum: Battle of the Smithsonian. The Ben Stiller comedy sequel becomes the first film in six weeks to retain the top spot for two consecutive weeks, and has pulled in an impressive £12m in that short time.

The Dan Brown adaptation Angels & Demons (directed by Ron Howard and starring Tom Hanks and Ewan McGregor) and J.J. Abrams sci-fi reboot Star Trek both dropped one place to third and fourth respectively, while WWE star John Cena bodyslams his way into the top five with action film 12 Rounds, directed by Renny Harlin.

Coraline and Hannah Montana: The Movie remain in healthy positions in the chart but X-Men Origins: Wolverine continues its steep decline, dropping four places to eighth after five weeks on release. The Hugh Jackman superhero flick falls behind Star Trek in terms of overall gross, despite being in cinemas one week less.

Two other new movies - Obsessed and Jonas Brothers: The 3D Concert Experience - managed to sneak into the chart, but there was no room for Fighting, Tormented, Ghosts of Girlfriends Past or State of Play, all of which dropped out of contention.
















































































Pos.FilmWeekend GrossWeekTotal UK Gross
1Night at the Museum 2
£2,054,769 2





£12,131,383
2Drag Me to Hell
£1,907,7311



£1,907,731
3Angels & Demons£1,048,0143





£14,351,043
4Star Trek
£866,2934





£18,034,828
512 Rounds
£326,8041







£326,804
6Coraline£281,4204









£6,287,034
7Hannah Montana: The Movie£252,2305











£7,608,019
8X-Men Origins: Wolverine£219,9995







£15,940,227
9Obsessed£154,3441







£154,344
10Jonas Brothers: The 3D Concert Experience
£117,0601











£117,060


Incoming...

Continuing with the Wednesday release schedule, Warner Bros. will be hoping that Terminator: Salvation can go one step further than it managed on American soil and open in top spot at U.K. cinemas. The McG sci-fi action sequel stars Christian Bale as resistance fighter John Conner, who is joined by Sam Worthington, Anton Yelchin, Moon Bloodgood, Bryce Dallas Howard, Common and Michael Ironside in the fight against the machines.

Also released is romantic drama Last Chance Harvey, starring Dustin Hoffman and Emma Thompson, along with a limited re-release for the 1963 Richard Harris Brit classic This Sporting Life.